An octave band is a frequency band that spans one octave (). In this context an octave can be a factor of 2 or a factor of .IEC 61260-1:2014IANSI S1-6-2016 An octave of 1200 cents in musical pitch (a logarithmic unit) corresponds to a frequency ratio of
A general system of scale of octave bands and one-third octave bands has been developed for frequency analysis in general, most specifically for acoustics. A band is said to be an octave in width when the upper band frequency is approximately twice the lower band frequency.
In acoustical analysis, a one-third octave band is defined as a frequency band whose upper band-edge frequency ( or ) is the lower band frequency ( or ) times the tenth root of ten,IEC 61260-1:2014 or : The first of the one-third octave bands ends at a frequency 125.9% higher than the starting frequency for all of them, the base frequency, or approximately 399 musical cents above the start (the same frequency ratio as the musical interval between the musical note '–'. The second one-third octave begins where the first-third ends and itself ends at a frequency or 158.5% higher than the original starting frequency. The third-third, or last band ends at or 199.5% of the base frequency.
Any useful subdivision of acoustic frequencies is possible: Fractional octave bands such as or of an octave (the spacing of musical notes in 12 tone equal temperament) are widely used in acoustical engineering.
Analyzing a source on a frequency by frequency basis is possible, most often using Fourier transform analysis.
where is the lower frequency boundary and the upper one.
−39.4 dB |
−26.2 dB |
−16.1 dB |
−8.6 dB |
−3.2 dB |
0 dB |
+1.2 dB |
+1.0 dB |
−1.1 dB |
−6.6 dB |
Note that 1000.000 Hz, in octave 5, is the nominal central or reference frequency, and as such gets no correction.
15.849 Hz |
19.953 Hz |
25.119 Hz |
31.623 Hz |
39.811 Hz |
50.119 Hz |
63.096 Hz |
79.433 Hz |
100 Hz |
125.89 Hz |
158.49 Hz |
199.53 Hz |
251.19 Hz |
316.23 Hz |
398.11 Hz |
501.19 Hz |
630.96 Hz |
794.43 Hz |
1000 Hz |
1258.9 Hz |
1584.9 Hz |
1995.3 Hz |
2511.9 Hz |
3162.3 Hz |
3981.1 Hz |
5011.9 Hz |
6309.6 Hz |
7943.3 Hz |
10 kHz |
12.589 kHz |
15.849 kHz |
19.953 kHz |
Normally the difference is ignored, as the divisions are arbitrary: They aren't based on any clear or abrupt change in any crucial physical property. However, if the difference becomes important – such as in detailed comparison of contested acoustical test results – either all parties adopt the same set of band boundaries, or better yet, use more accurately written versions of the same formulas that produce identical results. The cause of the discrepancies is deficient calculation, not a distinction in the underlying mathematics of base 2 or base 10: An accurate calculation with an adequate number of digits, would produce the same result regardless of which base logarithm used.
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